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Movie Title: Synecdoche New York Synecdoche New York is available for streaming or downloading. |
The interrogate for this complex and irregular film is whether writer-director Charlie Kaufman’s artistic ambition will ultimately frustrate viewer patience. When I saw the film, a couple in front of me walked out halfway through. You will probably fancy or loathe this film; reviews have been sharply divided.
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Philip Seymour Hofmann stars as Caden Cotard, a theater director mired in all the midlife crises, valid and imagined, of body, mind and spirit. The film begins conventionally enough, or so it seems, but there are telltale signs early-on that Kaufman is going to play with reality itself — a cartoon on the family TV features Caden as a character, and a realtor walks a client through a house that is permanemtly on fire. Those are two ominous metaphors.
The giveway is that the name “Cotard” bears a striking resemblance to that of the French postmodernist Jean-Francois Lyotard. We shouldn’t be surprised when Caden quits his career doing theater among the “blue hairs” in suburban Schenectady, Novel York, where his latest production was “Death of a Salesman,” and with the serve of a MacArthur genius grant (a cruel irony given his circumstances) moves to a cavernous warehouse in Modern York City and recreates his confused life through what eventually becomes a cast of hundreds of characters. Yes, life is a stage and we’re the actors.
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In his book The Post-Modern Condition (1979), Lyotard made (in) celebrated the thought of “incredulity toward meta-narrrative,” a appreciate blueprint of saying that there are no truly universal or absolute meanings or truths in life, and that all meaning is a personal or social construction. This is exactly what Caden tries to do — he creates meaning in his life through characters who describe his life. He keeps changing the name of the play, one of which is “Simulacrum” (= an insubstantial semblance of something) . He keeps saying that he “finally” knows how he wants to convey the play. Indeed, the play is never finished but is instead a building project that piles floor upon floor of sets; it never ends. For Kaufman there’s a very thin line between authenticity and absurdity, beneficial reality and mere representation, living life and playing roles, healthy self-awareness (however painful) and oppressive self-consciousness, and between factual life and positive death.
Does Caden’s grief to construct even the barest micro-meaning invent any sense? The last line of the movie offers a glimmer of hope. Maybe.
The first thing I would like to point out is that it will be disliked by a lot of people at first, but later be loved by many objective like Citizen Kane. Don’t absorb me? You can either 1) read Ebert’s review, or 2) wait and glance for yourself.
Synecdoche, Recent York isn’t only the best movie of the year, but it is the best movie that Charlie Kaufman has written to date. It’s a film that everyone needs to spy more than once to bag what he is trying to say. There are scenes that is impossible to know if they are proper or impartial a dream. Time moves at a different stir and you never really know where you’re at. But the most provocative fraction of the movie lies with the purpose of the writing; Charlie Kaufman wanted to write a terror movie. And not impartial any typical genre film, but things that terror him. He puts the scare of being alone, of dying by a random cause, of being rejected in everything that you do. Kaufman does such a righteous job writing for Caden that you open to feel his distress, to feel his anxiety. That is upright talent. The movie isn’t made to fear you, rather Kaufman wanted to do something new with the apprehension genre. [...]
If you haven’t seen the movie yet don’t go to the area. It has spoilers galore. Aside from the writing, the direction and the acting is phenomenal, especially the performance given by Philip Seymour Hoffman. It unprejudiced goes to exhibit you that the Oscars really do overlook some of the best movies of the year. Once you score into the movie there is no escaping it until it is over.
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